Computer hacking seems like child’s play compared to the criminal activities in Inception. Entering a person’s dream world by means of a special machine, these hackers manipulate
and mine the human mind for information they can sell to interested
clients for a hefty price. Unfortunately, this activity is hardly legal
or ethical. And as a result of his part in it, Dom Cobb (Leonardo
DiCaprio) is unable to return to his wife (Marion Cotillard), children
(Claire Geare, Magnus Nolan) and father (Michael Caine).
The prospect of going home improves, however, when a wealthy
businessman offers Dom a new challenge. Rather than extraction, Saito
(Ken Watanabe) wants the skilled mind reader to try
“inception”—planting an idea in someone’s mind. The target is Robert
Fischer (Cillian Murphy), a young man who is about to inherit an energy
empire from his dying father (Pete Postlethwaite).
Trusting in Saito’s ability to clear his past, Dom assembles a team
of invasion experts (Dileep Rao, Joseph Gordon-Leavitt, Tom Hardy)
along with newcomer Ariadne (Ellen Page) to help him maneuver through
Robert’s REM state fantasies. Together they develop a plan that
will allow them to delve into the sleeping man’s subconscious and bury
the seeds of a thought. But going that deep poses risks for the team
and Dom is reticent to reveal just how dangerous those hazards are.
Only Ariadne suspects there is something precarious about the job when
she discovers Dom’s frequent, solitary journeys to his own dream world.
For audience members who’ve only been given a few clues in the
movie’s trailers, the opening scenes may feel baffling and disjointed.
Like The Wizard of Oz, The Matrix and Click, this film has both real and dream states. In Inception,
the script bounces viewers between both and it isn’t always clear which
one the audience is in. Yet the production brings an interesting sophistication
to the dream theme once the storyline begins to take shape, slowly
revealing the motivations, subconscious fears and secret thoughts of
these compelling characters. Artistically this film also offers strong
acting, editing and digital settings that contribute to the jumbled
feel of the dream world.
But while the concept (and lack of sexual content) may be intriguing
to parents looking for an entertainment option for their older teens, Inception
is riddled with ongoing depictions of violence. Trained assassins with
rounds of ammunition infiltrate nearly every level of dreams. Refusing
to leave even one shell in the chambers of their guns, they fire
continuously on Dom’s team members as they descend lower and lower into
a subconscious state. In the meantime, massive explosions, car chases
and brutal fistfights are also shown, along with a suicide. Much of the
action is non-graphic, yet there are still portrayals of bloody
injuries, stabbings and close range shootings.
Although the non-stop adventure will keep many viewers engaged for
the film’s full runtime (almost two and a half hours), others may find
that the nightmarish consequences of Inception are enough to keep them laying awake at night—afraid to enter their own dream world.
No comments:
Post a Comment